His Proun works spanned over a half a decade and evolved from straightforward paintings and lithographs into fully three-dimensional installations.

El Lissitzky Biography, Life, Interesting Facts. He studied in schools in Vitebsk and Smolensk. Lissitzky studied at Darmstadt and later taught at the Moscow Academy of Arts, collaborating with avant-garde artists and architects.

Polschinok 1890 - Moskau 1941 El Lissitzky was born Eleazar Markovich Lisitskii in Vitebsk in 1890. ‘Proun’ was essentially El Lissitzky’s exploration of the visual language of suprematism with spatial elements, utilizing shifting axes and multiple perspectives; both uncommon ideas in suprematism. Beat the Whites with the Red Wedge is a propaganda poster designed by El Lissitzky using the abstract visual language of Suprematism, an art movement founded by Kasimir Malevich in 1915.

is a 1919 lithographic Soviet propaganda poster by artist Lazar Markovich Lissitzky, better known as El Lissitzky.

Er arbeitet in der politischen Kunstabteilung der Sowjetunion und äußert sein politisches Engagement unter anderem darin, dass er Straßendekorationen, Plakate und Fahnen im konstruktivistischen Stile entwirft.

Early Life. Das Ende des Konstruktivismus Made in support of the efforts of the Bolshevik Red Army to overcome the anti-communist White Russians, the poster creates a powerful dynamic composition using basic geometric shapes in red, white, and black. El Lissitzky gilt als die treibende Kraft innerhalb des russischen Konstruktivismus. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect.

In dieser Form wirkt Lissitzky am stärksten in den Bereichen Grafikdesign, Ausstellungsgestaltung und Architektur. info); November 23 [O.S. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. El Lissitzky was a Russian artist, designer, architect, and photographer, who was part of the avant-garde movement.. The creation of an office complex that would respond to the demands of the new times within the context of the old Moscow urban fabric was the basic idea leading to the concept of the so-called “sky-hook.” See the latest news and architecture related to El Lissitzky, only on ArchDaily. His family was Jewish. PH142-1985.

Early Life. El Lissitzky [1] (Eliezer Markovich Lissitzky) (lyĬsyēts´kē), 1890–1941, Russian painter, designer, teacher, and architect. Even though his work was often abstract, El Lissitzky’s was addressing the political situation in Russia and the nascent Soviet Union.

From 1909 until 1914 Lissitzky studied architecture in Darmstadt. He studied in schools in Vitebsk and Smolensk. In 1919 Lissitzky became a professor at the art school in Vitebsk, where he met Marc Chagall and Kasimir Malevich. El Lissitzky was a Russian artist, designer, architect, and photographer, who was part of the avant-garde movement..