Could they ever relax in a steam-heated home? Wild Strawberries. Will a litterbox work or would they make a mess?

Wild Strawberries. Wild Strawberries (Smultronstället) (1957) Reviewed by Tom Dawson Updated 13 December 2002: This is one of the truly outstanding works of post-war European cinema. “Are wild strawberries really wild? A good example of such dreams is depicted at the start of Bergman’s Wild Strawberries of 1957. Wild strawberries (Wikimedia Commons). Bergman themes leitmotifs in the films of Ingmar Bergman. Should you pet them, or let them run free where they roam? In its pre-credit sequence, the film introduces us to Isak Borg, the isolated and ageing Professor who is supposed to travel the next day from Stockholm, his home, to receive an honorary degree at the University of Lund. It’s hard to resist not thinking about the relationship between remembering, dreams, and the cinema, as Bergman puts them to use so liberally and with such confidence in form and realization. Bergman does it with mirrors, and with dreams, which are the mind's mirror. Abstract: This is a discussion of some of the central themes that Swedish film director Ingmar Bergman (1918 – 2007) returns to in his films.The article discusses social and … Wild Strawberries is a pensive film, and has a rustic charm to it, but is never overly sentimental. Direction: Ingmar Bergman. Will they scratch an adult, will they snap at a child? Wild Strawberries is a 1957 Swedish drama film written and directed by Ingmar Bergman.The original Swedish title is Smultronstället, which literally means "the wild strawberry patch" but idiomatically signifies an underrated gem of a place, often with personal or sentimental value. Summary: Silent-movie auteur Victor Sjostrom takes the acting honours in Bergman's study of … Wild Strawberries unites two strands in Bergman's work: here, the examination of male vanity finds its apex, and the protagonist is introduced to a rather severe comeuppance in the face of death. In Wild Strawberries, dreams and memory play together but are contrasted by the humanist dramaturgy of its waking moments.

Details: 1957, Rest of the world, Cert 15, 93 mins. Can they be trained to not growl at the guests?